Art Song Blooms at St. Andrew’s Church: A Floral Celebration

St. Andrew’s Episcopal Church recently hosted the second concert in its spring “Shout for Joy” series, led by music director Dave Len Scott. The event began with a ceremonial blast on the shofar and an invocation from Psalm 98, “Make a joyful noise unto the Lord.” Scott subsequently introduced an impressive ensemble: soprano Christine Graham, baritone Andrew Stuckey, and pianist Robert Mills, who together delivered a captivating performance featuring art songs from various languages.

Graham and Stuckey alternated in presenting selections from “24 Italian Songs and Arias for 21st-Century Singers,” adapted from an anthology by Graham’s former teacher, Judith Cloud. Opening with “Le violette,” Graham infused the sanctuary with an uplifting essence, charming the audience with her vibrant delivery. Stuckey followed with “Star’ vicino,” showcasing his unique baritone alongside a serene piano backdrop, hinting at a hopeful narrative. Their performances transformed “Danza danza, fanciulla gentile” and “Non posso disperar” into lively operatic displays, demonstrating their strong character portrayals. The playful chemistry between them captured the audience’s delight, particularly during moments where Graham’s teasing demeanor sparked laughter.

Stuckey took center stage for Henri Duparc’s “Quatre Melodies.” He started with “Le manoir de Rose monde,” delivering a powerful performance reminiscent of classic operatic styles. The emotional depth in “Testament” contrasted light-hearted piano rhythms with somber lyrics, while “Soupir” transitioned from sorrow to a heartfelt plea. The moving finale, “La vague et la cloche,” left the audience in awe with its dramatic intensity and Stuckey’s commanding presence.

Graham showcased her remarkable proficiency in two Mozart pieces, “Abendempfindung” and “Das Veilchen.” Her voice effortlessly navigated the intricate melodies and dynamic shifts, infusing “Das Veilchen” with a buoyant spirit that enlivened the stage. The performance evoked the splendor of springtime in Vienna, connecting the audience to the season’s charm.

After intermission, punctuated by a reception featuring spice cake, Stuckey presented John Duke’s settings of three poems by Edwin Arlington Robinson. “Richard Cory” highlighted his storytelling ability through music, though the dramatic payoff of the final line was particularly striking. “Luke Havergal” allowed Stuckey to explore deeper emotional themes, while “Miniver Cheevy” struggled under the weight of a setting that muted the original poem’s humor.

Relief arrived with Graham’s rendition of Joaquin Turina’s “Triptico.” “Wild One” unfolded like a scene from classic cinema, building a captivating melody. The “Ballad” showcased her vocal range, evoking imagery of birds among wildflowers. The final piece, “Madrigal,” transitioned gracefully from restraint to luminous beauty.

The concert concluded with a duet from Jesus Guridi’s zarzuela “El Caserio.” Mills humorously set the scene as Stuckey and Graham portrayed a heartfelt moment involving familial bonds and gratitude, ultimately concluding on an uplifting note.

Another performance in the “Shout for Joy” concert series is scheduled for Sunday, April 6, at 3 p.m., featuring guitarist Joshua Moore.