Sedona Dance Academy’s ‘Nutcracker’ Dazzles and Dares to Break SPAC Limits

Community engagement was on full display at the Sedona Performing Arts Center during the Sedona Dance Academy’s annual production of Tchaikovsky’s “The Nutcracker” on December 14. Long lines formed outside the venue, highlighting the community’s enthusiasm for local artistic expression.

This year’s performance saw collaboration with the Sedona Community and Youth Orchestra, under the direction of Kristina Beachell and Courtney Yeates. The Prelude Orchestra kicked off the event with Soon Hee Newbold’s energetic “Storm,” followed by a fresh take on the “Coronation March” from Meyerbeer’s “Le Prophete,” a blend of EDM and Parisian café vibes.

The Concert Orchestra enhanced the atmosphere with smooth renditions of familiar “Nutcracker” themes and festive Christmas classics. Their musical backdrop accompanied guests at the Stahlbaums’ traditional party scene, which included renowned personality Tyler Carson from “Fiddler on the Rock” making a special appearance.

Each year, SDA crafts a unique pasticcio that celebrates a variety of dance forms, particularly evident in the vibrant Act 2. The youngest dancers took center stage, capturing the audience’s delight with their energetic performances. Lee Israel skillfully returned as Drosselmeyer, captivating children with magic tricks and hypnotizing the cast to add an engaging layer to the production.

Next, the performers showcased diverse styles, with hip-hop dancers in festive track suits and whimsical choreography. Amidst the excitement, Clara, played by Siena Moreau, delivered a poignant solo after the appearance of the titular Nutcracker, further enchanting the audience.

An innovative twist unfolded as the story introduced a Victorian-inspired Rat Queen amidst a dark theatrical atmosphere. Clara’s bold actions against the Rat Queen captivated viewers, while junior tappers energized the scene with a hip-hop remix of Tchaikovsky’s classics. The ensemble of intermediate dancers elegantly performed the Waltz of the Snowflakes, suggesting a promising future for a dedicated corps de ballet in Sedona.

Act 2 began with the graceful entrance of guest dancer Eastlyn Jensen, leading a charming group of angels. What followed was a spirited jazz number featuring a Santa-clad ensemble that captured the audience’s attention with lively choreography and high-energy moves.

The audience roared in approval as Mother Ginger appeared on stilts, inviting clapping to further engage the crowd. Among the highlights were the stunning Arabian and Chinese variations choreographed by Danielle McNeal Strabala, each reflecting a fusion of modern dance and cultural elements. The Arabian scene featured impressive cartwheels and lifts, while the Chinese segment dazzled with elegant, sweeping choreography and striking scarlet costumes.

The grand finale brought together vivid visuals and technical prowess. Jensen’s spectacular pointe work closed out the performance, while the delicate flower corps, featuring characters like Rupert Israel, completed the enchanting tapestry of the “Nutcracker,” reminding attendees of the community’s vibrant artistic spirit.