Mini Time Machine Museum Unveils Captivating Miniature Broadway Sets Exhibition

An exhibit featuring miniature models of Broadway stages by acclaimed designer David Korins has officially launched at the Mini Time Machine Museum of Miniatures in Tucson. Titled “Stages of Imagination: The Iconic Broadway Designs of David Korins,” the exhibition runs through May 2025.

Korins, known for his work on major Broadway productions such as “Hamilton” and “Dear Evan Hansen,” encourages collaboration in storytelling through his designs. “These stories grapple with some of the most important subjects in all of human existence,” he stated, emphasizing the collaborative nature of the arts.

The exhibition showcases 43 models representing five productions: “Hamilton,” “Dear Evan Hansen,” “Beetlejuice,” “Here Lies Love,” and “Who’s Tommy.” Korins leads a dedicated team at Korins Studio, which creates immersive experiences across theater, film, and branding.

Reflecting on his artistic journey, Korins noted his upbringing in both the arts and sports, stating, “Working in collaborative art forms is like being in a sports team.” He highlighted the importance of every team member’s contribution to achieving a common goal.

Additionally, Korins is the visionary behind immersive art experiences such as the “Immersive Van Gogh Exhibit” and “Cannabition,” which will soon debut in Las Vegas. He chose to originate this project in Tucson, believing that the city deserves more artistic endeavors to begin within its borders.

“This exhibition was created specifically for the people of Tucson,” Korins expressed, appreciating the city’s passionate community. He noted that locals are eager to learn and experience new things, a sentiment that resonated with him during his time in the city.

William Russo, the museum’s executive director, has a history of collaboration with Korins from their Off Broadway days. He believes the exhibit has positively impacted the museum’s attendance, which has doubled since the pandemic’s decline.

Both men share admiration for the set design of “Hamilton.” Russo remarked on its scaffolding-like appearance, symbolizing the foundations of the nation and the inherent imperfections in its creation, which resonate subconsciously with audiences.

The exhibition features various interactive elements, including sketches from “Beetlejuice” that visitors can engage with, alongside a large couch from the musical for photo opportunities. Russo is already contemplating potential venues to continue the exhibit’s journey after its Tucson run ends.